Oscar-winning cinematographer -- via the L.A. Times. He won for "Fiddler on the Roof," but was adept at both black-and-white and color cinematography. He worked with John Huston eight times, from "Moulin Rouge" through "Beat the Devil" through "Moby Dick," culminating in "The Man Who Would Be King." Also did "The Guns of Navarone," "Lolita," "The Spy Who Came in from the Cold," "Sleuth," "The Odessa File" . . . suffice it to say he could work with directors of every temperament.
